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Isobel Bedeau

MA Fine Art

surrounded by the high silence, 2020, charcoal and ink on paper, 150 x 1000 cm

Working from thoughts and memories, I began to interpret identities and groupings of people through large scale drawings. The forms and thoughts merge and react as the drawing unravels, implying a rambling narrative reminiscent of memories.

surrounded by the high silence, 2020, oil on paper, 150 x 120 cm

surrounded by the high silence, 2020, oil on paper, 150 x 120 cm

My work is a process of recollection. The forms become responsive to the materials and process of making. The imagined and unconscious thoughts are realised as drawn images, appearing fluid and illusive as memories merge, the drawn marks becoming their language. A sense of community emerges. 

surrounded by the high silence, 2020, oil on paper, 150 x 240 cm

surrounded by the high silence, 2020, oil on paper, 150 x 120 cm

The paintings evolve from drawings becoming a way to reimagine memories. The energy and movements of the marks and brush strokes are reflections and distortions of the drawn forms. My work experiments with the balance of relationships between materials, process and time.

surrounded by the high silence, 2020, oil on paper, 150 x 80 cm

Through painting, the immediate charcoal marks can be reimagined through the colour and textures of paint, exploring the emotional memory further. The tension between my private memories and viewers’ projected thoughts onto the work becomes relevant. I’ve started to experiment with their presence in my works and how the emotions they evoke can be a collective experience of memory and recognition.

surrounded by the high silence, 2020, charcoal and ink on paper, 150 x 1000 cm

Working from thoughts and memories, I began to interpret identities and groupings of people through large scale drawings. The forms and thoughts merge and react as the drawing unravels, implying a rambling narrative reminiscent of memories.

surrounded by the high silence, 2020, oil on paper, 150 x 120 cm

surrounded by the high silence, 2020, oil on paper, 150 x 120 cm

My work is a process of recollection. The forms become responsive to the materials and process of making. The imagined and unconscious thoughts are realised as drawn images, appearing fluid and illusive as memories merge, the drawn marks becoming their language. A sense of community emerges. 

surrounded by the high silence, 2020, oil on paper, 150 x 240 cm

surrounded by the high silence, 2020, oil on paper, 150 x 120 cm

The paintings evolve from drawings becoming a way to reimagine memories. The energy and movements of the marks and brush strokes are reflections and distortions of the drawn forms. My work experiments with the balance of relationships between materials, process and time.

surrounded by the high silence, 2020, oil on paper, 150 x 80 cm

Through painting, the immediate charcoal marks can be reimagined through the colour and textures of paint, exploring the emotional memory further. The tension between my private memories and viewers’ projected thoughts onto the work becomes relevant. I’ve started to experiment with their presence in my works and how the emotions they evoke can be a collective experience of memory and recognition.

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